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To reset the size of the pixel dimension to its default value, choose Reset from the Pixel Dimensions dialog box’s pixel dimension drop-down list.

# Plug-Ins: 1. Getting to Know Some Plug-Ins

Plug-ins are programs that add additional features to Photoshop. Examples of some of the most commonly used plug-ins include

* Lens Correction Filters for getting rid of optical distortion
* Filter Effects, which give your images a special look
* Saturation Adjustment, which controls the degree to which image colors appear more intense
* Soft Light Filter, which helps create a smoother image
* Live Sharpen, which uses the processing power of Photoshop to quickly create a sharper image
* Healing Brush, which helps correct problems in an image
* Spray Paint, which lets you add special effects to images
* Color Outline, which lets you create a high-contrast, black-and-white image
* B &W, which lets you create a black-and-white image with a gradient

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This guide will go over all of the basic skills needed to edit photos and create memes with Photoshop Elements. This is intended for intermediate level users, so that you can quickly create your own images with Photoshop Elements.

These Photoshop Elements tutorials also go over every preset that Photoshop Elements has to offer. If you’re looking to get more out of Photoshop Elements, this page will show you how to master many of the Photoshop elements editing tools, learn Photoshop elements shortcuts, and how to efficiently manage your image library.

Photoshop Elements Editing Tutorials 1

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As an optical element of a video apparatus such as a video camera or a camera, an optical lens mounted in the video apparatus is mainly a plastic lens obtained by injection molding a resin. The plastic lens has a high refractive index, a small dispersion, and excellent surface accuracy and mold release property. The plastic lens is commonly used in many cases.
However, the plastic lens has small resistance against damage from an external force. Therefore, when the lens receives an impact due to vibration of the video apparatus or the like, the lens may be broken in some cases.
In contrast, an optical element such as an acrylic lens can withstand an impact by mounting a buffer member, such as a shock absorbing member, a joining member or a mounting member, on a surface thereof. By using such a structure, the acrylic lens is expected to be durable against an impact.
A lens element manufactured by injection molding has a first mold with a lens forming region formed in an aperture of a mold insert molding opening as a concave portion and a second mold with a flange formed in a frame periphery portion of the mold insert molding opening as a convex portion. The first mold and the second mold are arranged in an opposed relationship and integrally molded, thereby forming a plastic lens. Accordingly, the plastic lens has a lens element structure in which both the lens forming region and a frame part are integrally molded, and a molded part formed of a transparent resin is joined to the frame part.
In recent years, a focus lens mount structure has been proposed, in which the lens part of the lens element is integrally molded with an optical mount base capable of attaching to the optical apparatus or the video apparatus (for example, refer to PTL 1 to 5). According to the structure disclosed in PTLs 1 to 5, an optical mount base is formed with a convex portion projecting toward the concave portion of the first mold of the lens element or a concave portion projecting toward the convex portion of the second mold, so that the optical mount base is integrated with the lens element. Accordingly, when the lens element is integrally molded with the optical mount base, it becomes unnecessary to perform positioning of the mounting surface of the optical mount base with respect to the optical element.Homemade Appetizers

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[Treatment of microtia and microtopia and surgical correction of the skull].
This report presents our experience with the treatment of the microtia and microtopia. Between 1987 and 1996, a total of 948 operations were carried out in our clinic. The microtia was in the majority. The first stage of the treatment included primary correction of the skeletal deformities. The use of osteoplastic flaps led to an improvement in the results. Subsequently the wound was covered with vascularised and non-vascularised flaps. The indication for the use of skin-flaps was a defect of the external ear. Due to problems during surgical excision of the cartilaginous framework of the ear in 14 patients, the external ear was reconstructed with solid silicon implants in 6 cases and silicone implants in 8 cases.Hamid Reza Zonabadi

Hamid Reza Zonabadi (, Persian: ) is an Iranian artist and director known for his documentary work. Zonabadi’s documentaries usually explore socially relevant subjects including social exclusion, the influence of the media, culture, religion, family and corruption. Zonabadi has worked with prominent filmmakers, including Abbas Kiarostami and Masoud Kimiai, as a cinematographer, director and actor. He is currently a professor in the Department of Visual Arts at the Amirkabir University of Technology, Tehran. He is notable as the cinematographer of Jean-Jacques Beineix’s Paradise and Jean-Jacques Beineix’s Mud, which received the Student Academy Awards for best foreign film in 1978 and 1982, respectively.

Early life and career

Hamid Reza Zonabadi was born in 1967 in Tehran, Iran to parents who were both artists and sculptors. Zonabadi started taking art courses in high school, and then went to Sa’de Art University where he studied photography and cinema. After graduating, he entered the Fine Arts Department of Tehran University where he continued to study film and photography until 1990. It was around this time that he started experimenting with film making and photography.

He has directed a number of documentaries and short films, as well as being a cinematographer in more than 50 feature films. He has contributed photographs to several photographic books and magazines.

Work
Zonabadi’s first feature-length documentary was “Alo! (Hello)” a portmanteau documentary with two parts. The

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