ReLife is a VST plugin that gives you the possibility to retrieve lost peaks and transients from audio tracks. It's designed to easily process heavily clipped sound files, having features ready for bypass and postgain, to name a couple of exampled.
The VST plugin is wrapped in a small-sized DLL file that can be seamlessly copied to any supported VST host, in order to install it right away. If the VST application was already running before performing the file copy operation, it's necessary to restart it to be able to use ReLife.
As far as the interface goes, the plugin opts for a small window with well-placed buttons on top, which are responsible for bypassing, toggling mono and stereo. There's also an option for selecting which algorithm to use for restoring the lost peaks (1, 2 or 3).
ReLife also has support for postgain, where you can pick between positive and negative mode. To easily find out what's going on with your audio tracks, you can check out three meters for the input, recovery and output. Sound processing can be achieved in real-time or offline since it can be used as a real-time plugin or rendered in a preferred audio editor. The software project is free for personal use.
ReLife is a VST plug-in that retrieves lost peaks and transients from audio tracks. It has features for bypassing, toggle mono and stereo, select which algorithm to use for recovering the lost peaks (1, 2 or 3) and enable/disable postgain functionality (positive or negative mode). ReLife is designed to work on heavily clipped sound files, having features ready for bypass and postgain, to name a couple of exampled.
Audio processing features:
ReLife has a small window with well-placed buttons on top. This interface is responsible for bypassing, toggle mono/stereo, selecting an algorithm for recovering the lost peaks and enabling/disabling postgain functionality.
This meter shows the input volume level, the recovery level, the output level and the program status. If the last volume or gain level changes, ReLife is disabled until it is reactivated.
This meter shows the recovery level and the audio output level.
This meter shows the output volume level, the overall energy and the internal program status.
Features that apply to Audio Processing:
ReLife is easily integrated in your audio processing workflow. Restoring transients and peaks from heavily clipped files is an excellent way to enhance the sound quality of an audio track.
With the switch on, you can skip any muted peak. You will get the same gain reduction that the audio track had in this specific moment. The gain reduction is defined by the postgain offset and by the postgain amount. A post gain offset of 0 will return the gain as it was before being clipped by the audio track. With the postgain offset increase you can get lower volume levels by making the peaks thinner. The postgain offset only accepts decimal values.
+/-. With this feature you can change the audio gain, and get the same volume level with higher peaks. A post gain of 0 will return the gain as it was before being clipped by the audio track. You can also adjust the offset and amplitude of postgain. A postgain amount of 0 will only attenuate the input signal with the post gain offset. A postgain amount of +1 would amplify the input signal by 1 when postgain is enabled. A postgain amount of -1 will make the audio signal fade with the post gain offset. The post gain amount can be changed between
ReLife is a software project that’s been designed to help in the recovery of transients and tones that have been embedded in audio tracks. It’s a highly-efficient and cost-effective tool, which doesn’t require any prior knowledge, although those who already have it, will undoubtedly enjoy its numerous functions.
The first thing you should do is to prepare the file that you want to recover. In order to do this, you should first make sure that all the specific volume information has been stored in the track in a table called TRKS. This table stores the information about the volume peaks, which are very important to restore if you lost them. These peaks are found at the specific moments where the average audio level changes, which can be very important for turning on/off instruments or for editing audio tracks.
It’s recommended that you wait until the last of the transients that you lost are processed before starting the rest. You might want to consider skipping sections of a track where there are any transients in excess of 8dB. That way, those transients can be easily identified and processed individually.
It’s often useful to know the exact number of peaks that are located in a given audio track. This way, you can clearly see the number of transients that are missing, and therefore decide how many peaks you should look for.
After you get those numbers, you should open the project file and go to the main settings page. There, you should choose either the real-time and offline modes in order to be able to process your audio track in real-time and render it in audio editing software. It’s recommended to do this in the offline mode since the input level will be that much lower and ReLife will be able to recover the highest peaks of the audio track.
Selecting the recovery algorithm is also important. The algorithms are divided into three categories, namely Full, Partial and Skip, and they’re highly recommended. By default, the plugin uses Full recovery. However, you can choose Partial or Skip.
When the plugin is in Full recovery mode, it will look for all the transients that are above the certain threshold and search for the maximum values of them. Afterwards, it will remove the transients that are below the threshold and will repeat the process for the level below.
The Partial recovery mode has two modes, namely Active and Passive. In the Active mode, the plugin will be looking for all of the transients within a given
ReLife recovers audio transients and peaks from audio files that are heavily clipped. With it, a great deal of possibilities are presented to those who want to save themselves the trouble of doing this in a way that is free and easy to use.
Before the software can be used, files must be read to a particular folder. An in-depth explanation of how to read files and open them in a new editor is given under the Settings function. This step is rather easy and easy to understand. In fact, several audio editors are capable of reading files.
After reading the files, they must be “clipped” by clicking on the preprogrammed button on top. Before the recovery process can be started, two more settings must be configured.
The recovery settings include which algorithm should be used to save the lost peaks (1, 2 or 3). The different algorithms are listed under the section described as “Peak/Transient Recovery” below. Once the recovery settings have been set, the software can retrieve the lost peaks and transients from the track.
The settings allow you to process the audio track and render it in real-time or after export in an audio editor. The settings are quite clear, so it shouldn’t be hard to understand them. They can be adjusted to your preferences.
The recovered peaks can be processed in real-time (as a stand-alone plugin) with the Real-Time tab. By pressing the tab, you can change options to achieve various effects. Once you’ve set the options, press “Get” to apply them to the audio track. The options can be:
• “Fast” gain for fast gain-clipping.
• “Slow” gain for slower gain-clipping.
• “Output Gain” for changing the output level.
• “Peak shape” for outputting the recovered peaks in the form of a sine wave.
Once you select “Peak/Transient Recovery,” you’ll notice a menu-bar to the bottom-left of the software. On top of the menu-bar, you’ll see a grid. By clicking the “Recovery” button, the recovered peaks are shown on the grid. Double-clicking on the row will bring up the audio-file dialog to select the clip you’d like to recover. This will appear after the recovered peaks. To remove the recovered peaks, double-click on the row of the row you’d
Real-time or offline analysis of audio files, based on audio peak detection and audio signal processing. Its goal is to detect and analyze the missing parts of a file in real-time or offline, with the feature of bypass for heavily clipped audio files. It does this with a small and easy to use interface.
The algorithm used to detect missing peaks and audio signal is based on audio wavelet transform. This function is divided into three modes of operation: Classifier mode is a fast and simple but unreliable algorithm. It has minimal requirements and offers interesting features. It is useful for test purposes.
Peak Detector mode is a complex and reliable algorithm. It uses the knowledge of the previous mode of operation to detect those audio peaks which cannot be easily explained by the presence of the previous peaks. It offers great precision and power, even with bad audio files.
Normalizer mode is an exclusive algorithm that uses the samples around the peak to “normalize” it and retrieve the audio peak which was lost due to clipping. The Normalizer mode is designed for audio files with clipped peaks. If you are processing audio files with few clipping points, you should use the Classifier mode instead. In this mode, it is recommended to use two input channels and two output channels for this kind of audio.
– ReLife DLL files can be easily copied to a supported VST host in order to add it right away.
– The plugin can be run in Real-Time or Offline modes as a stand-alone application, in Windows XP/Vista and Windows 7.
– Pre-Gain allows you to increase the power of the analyzed audio samples before the algorithm processes them and recovers the peak. This feature is useful when trying to evaluate the algorithm performance with bad recordings.
– Post-Gain allows you to decrease the audio samples power after they have been processed and recovered by the algorithm. This feature is useful when trying to improve the quality of the recovered peaks.
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